04 April 2017

Here Is Where We Wash Up: "New Sea Land" reviewed by Kay McKenzie Cooke in Landfall Review Online




My latest poetry collection New Sea Land has got some good reviews already, but I'm particularly happy about the excellent review by Kay McKenzie Cooke that has just appeared in Landfall Review Online.

Kay reviews both my collection and another fine collection from Mākaro Press, I am Minerva by Karen Zelas, which I recently read, and recommend.

Talking about New Sea Land, Kay says lots of nice things, but I especially appreciated this comment:

This is a passionate, sincere collection of poems on a concerning subject, but nonetheless peppered with playful aspects, twists and turns. Jones has lightened the load of concern and care that the subject of ecological disaster engenders, with welcomed measures of humour and well-constructed, imagined worlds, both past and future.

It's great to get such a good review which engages with both the content of the collection and the intention behind it - all the more so when the review is by a poet and author I greatly admire. Thanks, Kay!

How to get a copy of New Sea Land

New Sea Land is available in selected booksellers nationwide (the link is to a directory of booksellers).

If the book isn't in stock at your local bookseller, you should be able to order it using this information - especially the ISBN:

ISBN 978-0-9941299-6-3
Publisher: Mākaro Press
Paperback, 150x190mm, 74pp poetry collection
RRP $25

and overseas readers can also order the book from Mākaro Press.



24 March 2017

Aotearoa Reads Podcast / Vote for Helen Lowe in the Gemmell Legend Awards


The New Zealand Book Council were kind enough to ask me to take part in their Aotearoa Reads podcast series, and the podcast I took part in, the second in the series, went up this week. Check out both Aotearoa Reads podcasts - I think you'll find them interesting:

PODCASTS


During that second podcast, I mention that there are many highly successful New Zealand authors who are mentioned less often in the literary conversation here than they should be, because their work is published overseas. One such author is Helen Lowe, whose novel Daughter of Blood has been longlisted for a Gemmell Legend Award for Fantasy alongside authors such as Guy Gavriel Kay, Brandon Sanderson, and N. K. Jemison.

If you'd like to support Helen, here's how to vote for Daughter of Blood to make the shortlist. Voting closes Friday 31 March:

1. Go to http://www.gemmellawards.com/award-voting-2017/

2. See the heading “Vote for your favorite Legend award nominee (2017 longlist)” 

3. Scroll down the list of titles until you reach “Daughter of Blood by Helen Lowe”

4. Click in the circle to the left of the title.

5. Go the bottom of the Legend Award list of titles and click “Vote.”


And it's done!

14 March 2017

Tuesday Poem: Passport


Not all the poems I wrote for my latest collection New Sea Land made the cut - some because they were't quite good enough, some because they didn't fit the theme. "Passport" is one of the latter (that's my story and I'm sticking to it!), but relevant nevertheless.

Passport

Need to travel, passport —
(expired, but still potent)
not where I was sure it was,
a rectangular light-blue absence.

Frantic search, piles
of ancient documents disturbed,
dead boxes exhumed
dust sneezing the room

house turned upside down
passport stubbornly unfound
any record of citizenship
vanished, my birth certificate —

from another country’s system,
in another country’s name —

trapped in a cul-de-sac,
and the clock ticking.

Two tentative phone calls
solitary queuing downtown,
new forms, new photos
and it’s sorted in time

the new dark-blue rectangle
clutched to my heart,
a stateless life in departure lounges
now the least of my fears

but I wonder:

what if I couldn’t
sort it with a phone call
what if
I was running from, not running to
what if
the guns were coming, and the boats were leaving
what if
I had no choice
what
would I do
what
wouldn’t I do
to get away?

01 March 2017

The 2017 National Flash Fiction Day Competition Is Open!


The 2017 NFFD competition is open!

Submit February 15 – April 30
Send your best 300-word story
Cash prizes 
Two categories


Adult (19+)
First Prize: $1000
Second Prize: $400
Third Prize: $100
Judges: Michael Harlow and Emma Neale

Youth (18 and under)
First Prize: $200
Second Prize: $100
Third Prize: $50
Judges: Fleur Beale and Heather McQuillan

Winners will be announced June 22 at the NFFD celebrations, and all winners are invited to attend and share their stories.

Events
Auckland, Christchurch, Dunedin, Northland Wellington

Competition entry details here.

14 February 2017

Tuesday Poem: How We Walked Back The Bad News


The report was detailed, unambiguous
And powerful. That was their first mistake.
The second was its clear alignment with the views
Of certain interests, who had been banging on
About this issue for far too long. We were tired
Of listening to their whining. It’s not the sort of thing
A go-ahead country wants or needs. It’s
Negativity, and our polling has shown New Zealanders
Have had enough of that. The All Blacks
Are winning, while across the nation
Dairy herds continue to grow. Rebounding sales of trucks
And utes are all the proof needed to show
That we are on the right path.

Paul Henry and Mike Hosking were our first line
Of defence, manufacturing contempt,
Their intellectual attainments formidable, their scorn
Something only the most practised of politicians
Could be expected to withstand. The report’s authors
Were like lambs to the slaughter, their clothes, their manner
Betraying deep discomfort. And it was soon established
That the authors were academics, a potent critique
In itself. Henry attacked the way the authors dressed. Hosking
Went after the source of their funding. The report’s message
Was lost in the shemozzle. In the morning papers, the
Prime Minister’s photo opportunity with Beauden Barrett
Took pride of place, while on the business pages the report
Came under sustained attack. NBR even suggested
That a sulphurous whiff of economic treason
Might hang over the whole affair.

The report had been discredited without its findings
Ever being discussed. At their respective institutions,
The authors were called in by deputy vice-chancellors
For a quiet word. The importance of academic
Reputation was repeatedly stressed. Funding,
It was implied, could rapidly be redirected
To research efforts more in tune with the nation’s
Wants and needs. Science communication
Was plainly something that should be best be left
To communicators rather than scientists.

A storm in a teacup, a seven days’ wonder
That failed to last even one news cycle. No surprise
That around the Cabinet table there was a general air
Of self-congratulation. The public of New Zealand
As polls and focus groups repeatedly reveal
Do not want to hear bad news, and as the guardians
Of the public mood, let there be no doubt that we,
No matter how great the temptation, no matter
How pressing the need, will not waver in our resolve
To provide ever-more-elaborate circuses
Well after we’ve scoffed the last of the bread.


Tim says: Most of the poems in my latest collection, New Sea Land, were written in 2015 and early 2016. While working on those poems, though, I did take the occasional detour: I wrote some poems about music, a number of which will be appearing in a forthcoming issue of takahē, and I wrote some political and satirical poems that were a bit outside scope for New Sea Land.

"How We Walked Back The Bad News" is one of those poems. It's dedicated to all the scientists who bravely stand up for the truth of what the data tell them against the spin, mismanagement and ridicule of bureaucrats, University senior management, and politicians.

07 February 2017

Dan Davin Literary Foundation – Short Story Symposium 1-3 September 2017


Here's a callout I'm really pleased to share:

The Dan Davin Conference on the New Zealand Short Story – its traditions and departures – will be held in September.

The conference is an opportunity to celebrate Southland-born author Dan Davin as one of the fathers of the modern New Zealand short story, and the development of the New Zealand short story to today.

In conjunction with the Dan Davin Annual Lecture, the two-day conference will be held in Invercargill from September 1-3. Author Vincent O’Sullivan is working with the Foundation to develop the conference programme.

The short story has always been of significance in New Zealand literature, and continues to be an important form of writing. Papers of 25 minutes are invited on any aspect of the tradition, its contemporary practice, and on the work of individual writers.

Some of New Zealand’s foremost writers of the genre including Owen Marshall, Dame Fiona Kidman and Tracey Slaughter will attend. Janet Wilson will also be key note speaker. It will be the first conference for many years devoted entirely to the short story and its place in New Zealand literature.

The conference will include an opportunity to experience the unique south, as well as attend the events which will be held in two outstanding southern venues.

Enquiries and abstracts of up to 200 words can be sent to the Dan Davin Literary Foundation, PO Box 29, Invercargill 9840, or dandavin@xtra.co.nz

[Note from Tim: There will be a mixture of formal academic papers, and informal papers - in other words, writers, readers and critics as well as literary academics can submit papers!]

We also welcome expressions of interest of attending the Symposium and can provide assistance with discounted accommodation.

As part of the Symposium we have an opportunity for visitors to see and experience some unique Southland experiences. And it is our hope that these experiences might be a catalyst for writings inspired by the south whether it be short story, poetry or blogs.

Rebecca Amundsen
Chair, Dan Davin Literary Foundation

Tim says: A few years ago, I was invited to take part in Southland's annual Dan Davin Literary Festival - an experience I enjoyed very much, for the discussion, the hospitality, and Becs Amundsen's excellent organising skills. Now the Dan Davin Literary Foundation has organised this Short Symposium, which looks like a really good opportunity for writers, readers, critics, academics - and who knows, maybe publishers and booksellers! - to get together and discuss the form.

I'm hoping to attend, provided I can sort out a potential clash of dates - and I hope you'll consider attending too!

01 February 2017

Booksellers NZ Says Very Nice Things About "New Sea Land" In New Review


It's a relief to post about writing again - and in this case, to highlight a very positive review of New Sea Land by Elizabeth Morton, published on the Booksellers NZ blog.

Elizabeth Morton says:

You can lick the salt off this poetry, half expect sand to spill from the centrefold. Tim Jones’ latest collection, New Sea Land, is part history, part rattling fortune-telling. It is a slap on the face by a wet fish, a digging up of heads-in-the-sand. Jones has spied a calamity from the shoreline, an oncoming deluge. History is repeating on us, and this time the tide is coming in full.

and:

The world is falling apart at its seams. This is a New Zealand where climate change is playing out. The sea floods Lambton Quay, rolls over childhood homes, and meets householders at their doorsteps. People are left with new geographies of which to make sense. Jones gives us a periscope to a time where myopic vision has crystallised into something tangible. It is only once the impact is ostensible that we realise we ‘backed the wrong horse’.... This is poetry that knows what’s coming, and insists you ‘keep your life raft close at hand’.



I'm delighted not only to get such a positive review, but also that Elizabeth Morton has 'got' what the book is about. Thanks, Elizabeth!

As Booksellers NZ says, New Sea Land is available in selected booksellers nationwide (the link is to their directory of booksellers).

If the book isn't in stock at your local bookseller, you should be able to order it using this information - especially the ISBN:

ISBN 978-0-9941299-6-3
Publisher: Mākaro Press
Paperback, 150x190mm, 74pp poetry collection
RRP $25

and overseas readers can also order the book from Mākaro Press.