03 June 2019

"Where We Land": Coming this July from The Cuba Press

Coming this July from The Cuba Press - my novella "Where We Land"! More details soon, but here's the cover.

This is a reprint of my 2015 novella Landfall, published by Paper Road Press as an ebook.

This new print edition is available for preorder here: https://thecubapress.nz/shop/where-we-land/


And here's the blurb!

A New Zealand Navy frigate torpedoes a boat full of refugees fleeing a drowning country and Nasimul Rahman is one of the few survivors. First he has to reach the shore alive and then avoid the trigger-happy Shore Patrol, set up to stop climate change refugees entering the country.

Donna is new to the Patrol. When word comes through that the Navy has sunk a ship full of infiltrators, and survivors might be making their way ashore, it sounds like she might get to see some action. A tale of desperation and betrayal on a shrinking shore in the not too distant future.

28 April 2019

Big Hair Will Be Everywhere On Friday 3 May


My hair follicles don't really let me do big hair anymore. But all the same, I've got a new poetry chapbook, Big Hair Was Everywhere: Music Poems.

It will be making its public debut in Wellington on Friday 3 May from 6.30-7.30pm, when I'm reading as part of the Pegasus Poetry Series 2019 with Sam Duckor-Jones, Chris Price, and Chris Tse: distinguished company to read in!

I'll have copies of the chapbook available for $5 - just come and see me before or after the reading. You'll need to pay cash, and I'll have change available.

Big Hair Was Everywhere is No. 34 in the ESAW Mini Series. Here's the cover photo, an alarmingly chirpy picture of me.



And here's the poem from which the title is taken:

The Home Of Country Music

We spent the first day of the Gold Guitar Awards
thrashing …And Justice for All in Andrew’s flat,
taking turns to lift and flip the vinyl.


We mourned Cliff Burton, killed in a bus crash in Sweden,
and pondered the mystery of new kid Jason’s missing bass.
Metallica’s producer knew shit about separation.


We walked down Main Street to the pie cart. Town
thrummed with the energy of competition, musicians
toting pedal steels down Mersey Street.


Big hair was everywhere, bouffants teased
and primped towards infinity. ‘Simple country girls’
and honky-tonk angels vied for the next available chair


as the hairdressers made their annual killing. Men
rechristened Tex for the occasion swaggered in Stetsons,
ordering Jack Daniels instead of their usual DB Draught.


It meant nothing to us, this frenzy of false eyelashes
and fake tans. We returned to Andrew’s upstairs flat,
dropped the needle on “Blackened” again. Jane,


finishing her pie, rested her head on Andrew’s shoulder.
I was too busy with rapidly cooling mince to be jealous.
I fucking hate this town, I said.

Credit note: "The Home of Country Music" was first published, in a slightly different form, in takahē 89 (April 2017).

24 March 2019

Poem of the Month for March - "On The One", from my new chapbook of music poems, "Big Hair Was Everywhere"


If not for that ship I’d have been Rod Temperton.
If not for emigration I’d have remained
In Cleethorpes, where I was born,
Worked in Grimsby for Ross Frozen Foods,
Played in dance bands in my spare time.


Learned to write songs. Joined Heatwave,
A funk band formed by a Vietnam War vet.
Written “Boogie Nights”, that impossibly
Inescapable hit of 1976. Watch that vid
And you’d see me off in the corner,
Playing keyboards and adding harmonies,
Immortalised in a scoop-neck ‘70s vest, singing
“Got to keep on dancing, keep on dancing…”


Been recruited by Quincy Jones, a man
With good ears, to write songs for Michael Jackson.
“Rock with You”, some other hits, and then
The big one: “Thriller”. Everything: words, music,
Even that cheesy spoken-word bit that Vincent Price
Perfected on just his second take.


I’d have coasted along after that,
Staying cheerfully obscure, the unknown
Local boy made good in Hollywood
Till the cosmic actuary’s dice came up snake eyes.


I could have been you, Rod, if we hadn’t left,
If I’d had the slightest glimmering of musical ability.
Could have worked in that fish factory till it went bust,
ironed my funky vests, played in a covers band
And waited for that big break to come:
A ghost Tim, strutting the streets of Grimsby,
Suit sharp, still funky, always on the one.

Credit note: "On the One" appears in my new poetry chapbook Big Hair Was Everywhere: music poems, Number 34 in the ESAW mini series, published by Earl of Seacliff Art Workshop (Paekarariki, 2019), ISBN 978-1-86942-163-0. It is previously unpublished, and was written for inclusion in the chapbook. Tim says: Music was important to my parents, and it's important to me - many different genres of music, despite the fact I can't play a note other than Middle C. My new chapbook Big Hair Was Everywhere brings together my recent poems about music into one neat little A6 package - available from me for $5! Chase me up for a copy at forthcoming poetry readings.

26 February 2019

Poem of the Month for February: "Fire", by Tim Jones


It's time to restart "Poem of the Month" for 2019. I've chosen a newish one of my own to start with. I've just had a chapbook published that has some of my happier, chirpier poems of recent times - and I'll tell you more about that soon.

But this isn't one of those poems. I didn't know about Extinction Rebellion when I wrote it, but now that I do, I'm dedicating it to them and their work.

Fire


Fire crawls a sigil up the flagpoles of the world,
erupts in updraft and swirl. Cars torch
like eucalypts, like houses. We seek out
the lowlands, retreat to floodplains, but fire


snaps at the edges, each hectare of letterbox
and ornamental shrub an open invitation. Go
lower, go deeper: crawl to the level of worms,
cowering from the circling threats above.


Every season now is fire season, prodigies
of heat extending tendrils into winter’s
vanishing comfort and hurt, sacrificing
spring’s new growth at blackened birth.


Our infrastructure flakes off like dead skin,
like burning cladding so carelessly applied
when the air was kinder, built to standards
designed for a more forgiving world.


Money still has meaning. There are enclaves,
protections available only to the super-rich,
illusions of safety and permanence. With
enough cash in hand you can relocate


to sheltered valleys, islands buffered
by the slower-warming sea, the greening remnants
of the worlds of ice – twin Goldilocks zones,
two thin rings of life receding polewards.


Or depart the surface world entirely, descend
to the cool of caves and abandoned tunnels
for a life of hydroponic food, recollected pleasures,
imitation picture windows set against blank rock,


gaze averted from the fire that burns above. Flame
swirls the sky, converting atmosphere from oxygen
to soot. The long spiral of lightning and accident
that sped us from campfires to mastery,


our history of combustion, now rains ashes
on our heads. This was always our endpoint,
foreshadowed when some hominid, transfixed,
reached out to grasp the embers of a forest fire.



30 January 2019

The Pegasus Poetry Series 2019, Starting Friday 8 February: What A Lineup!



Therese Lloyd and Pegasus Books have organised a wonderful series of poetry readings in Wellington, spanning the whole year.

The readings are on Friday nights at Pegasus Books in the Left Bank off Cuba Mall, starting at 6.30pm.

Just look at the lineup below!

Here are the contact details for Pegasus Books, from their website which includes a map:

Pegasus Books
Shop 204 Left Bank Cuba Mall
PO Box 27335 Marion Square
Te Aro
Wellington 6011
New Zealand
Email: pegasusbooksnz [at] gmail.com
Telephone: (+64) 04-384-4733


I'm very pleased that Therese has included me in the third reading in this series, on May the 3rd, with Sam Duckor-Jones, Chris Price, and Chris Tse. I'll be reading from my latest collection, New Sea Land (Mākaro Press, 2016), and all being well, I'll also have a new chapbook at the reading, Big Hair Was Everywhere.


The Pegasus Poetry Series 2019


Feb 8 Airini Beautrais Maria McMillan, essa ranapiri, Harry Ricketts

March 22 Janis Freegard, Harvey Molloy, Claire Orchard, Magnolia Wilson

May 3 Sam Duckor-Jones, Tim Jones, Chris Price, Chris Tse

June 14 Jo Emeney, Siobhan Harvey, Tracey Slaughter, Ashleigh Young

July 26 Anahera Gildea, Helen Lehndorf, Frankie Samuel, Michael Steven

Optional National Poetry Day Reading (August 23) tbc

Sep 6 Jenny Bornholdt, Lynn Jenner, Anne Kennedy, Greg O’Brien

Oct 18 AJ Anderson-O'Connor, Jane Arthur, Carolyn DeCarlo, Mary McCallum

Nov 29 Amy Brown, Helen Heath, Hannah Mettner, Jackson Nieuwland



In other news, in addition to my Twitter, I now have the beginnings of a presence on Instagram:




And, saving the best till last, this may finally be the year I move off Blogger! Though, in that regard, I haven't moved much further than lento to adagio.

30 November 2018

Poem of the Month - November: "Kikoi for sleeping in" by Mary McCallum


With the year nearly over we hitched
north, took a leaky tent, two kikoi
for swimming and for sleeping in,
a kilt pin for protection. Budget of
three dollars a day. Sandra and me.
We climbed the zigzag to be early
at the station, hips out, thumbs
out, first ride to Raumati, and each
ride after taking us further north. We
took turns up front but not the sheep
truck, both of us crammed in there
next to the driver, rigid with the stink
of animal fear. She drew the line,
no more sheep trucks. So it was squads
of station wagons packed to the roof,
‘Shove over, kids. Let the girls in.’
Gritty seats. Sticky legs. Cortinas
with dark windows, soft men with bad
jokes. The kind photographer who
drove us to Gisborne, took our photo
in a field, introduced us to a famous
poet. The hippies who dropped us
at Nambassa, where it rained on the
clothed and unclothed and I got sick,
and Sandra, mud-slick, slid down
a whole bank on her small efficient feet.
Then there was that ute and a side trip
to the satellite dish at Warkworth—
the dish as big as a house, no one in sight,
ute refusing to go. ‘Get on the roof, for
heaven’s sake, jump-start it.’ His voice
whistly, thin with irritation, those
too-light eyes elsewhere. Knowing
nothing—nothing—we climbed up, sat
on our hands on the hot roof, back
to back, legs down past windows, feet
on rims. And we stood and sat and
stood and sat, made it rock like he said,
the satellite dish a blank moon. Fields
and roads blank, too, not a soul out.
And oh, it didn’t fire. And oh, I didn’t
guess. Shiny with sweat, finger to lips,
Sandra leaned down, peered in, eyes
wide, mouthed something. Gestured—
wanker. With one breath we yowled
under that grey dish-moon, leapt
to the ground, blazing, ‘Take us back
to the highway, you prick!’ (The kilt
pin, where was it? Still pinned to my
shorts.) The ute started first turn of the
key. Back at the road we bailed—packs,
tent, kilt pin, kikoi waving like flags—
took off south, incandescent with our
sense of right, a torrent of women
wronged. That’s not the whole
story but it’s the gist. I’m talking
about two trips, both up north, both
on our wits. I packed the kilt pin, we
unfurled the kikoi to wrap around
us when we swam and, dried, to use
as sheets each night. Sandra talked
of Kenya while we fell to sleep. We
took it in turns lying under the leak.


Credit note: "Kikoi for sleeping in" by Mary McCallum is reproduced by permission of the author and publisher from Mary's collection XYZ of Happiness (Mākaro Press, 2018). For more information and to buy copies of XYZ of Happiness, go to https://makaropress.co.nz/submarine-books-2/xyz-of-happiness-by-mary-mccallum/. The book is available from the website and all good bookstores for the RRP of $25.



Tim says: XYZ of Happiness is a collection I read recently with a great deal of pleasure and admiration. While the nominal theme is 'happiness', there are a whole range of emotions and experiences in play, as the wonderful poem above shows. This is much longer than my usual "Poem of the Month" picks, but "Kikoi for sleeping in" is so good I couldn't resist. Thank you for the opportunity to post this poem, Mary!


21 October 2018

Book launch on 5 November in Wellington: Saradha Koirala's new poetry collection "Photos of the Sky"


I'm very flattered that Saradha Koirala has asked me to launch her third poetry collection Photos of the Sky in Wellington on Monday 5 November. Here are the details of the launch. You're invited!

What: Wellington launch of Photos of the Sky by Saradha Koirala, published by The Cuba Press.
When: Monday 5 November 2018, 5.30-7.30pm
Where: The Thistle Inn, 3 Mulgrave St, Thorndon, Wellington



I've followed and posted about Saradha's career as a poet and novelist. Her work ticks all the boxes for me: skill, thought, and heart.

Saradha describes Photos of the Sky as follows on her website:

The collection starts with a declaration; ends in realisation. In between is a journey of reaching across the Tasman, shifting to a new home, reaching a place of disquiet and starting again. The full spectrum of emotions brings with it rain, sweat, tears, wildflowers and the promise of snow.

I'm also very happy to support The Cuba Press - a new Wellington press which is really making moves in a range of genres. They are open for submissions until 1 December - check out their submission guidelines.

With Saradha's permission, here is her poem "Confession, confessed". This serves as an excellent introduction to Photos of the Sky. I hope you can make it to the launch!


Confession, confessed


I’ve been the secret and the secret-keeper
the one from whom the secret is kept.

I’ve been a curiosity of connections that don’t concern me
the cause and effect of all that is curious.

I’ve been right and I’ve been wronged
I’ve been righteously wrong.

I’ve been a cut-out shape where I used to be seen
and I too have cut fleshy shapes from my life.

I’ve been the problem and the solution
the floating object of insomnia, rage

a presence off limits
that has in turn been there for me.

I’ve been the reason and I’ve been the excuse.
I’ve been falsely accused, rightly refused.

I’ve been the obsession
the obsessed.

I had an alibi.
I am the reason you needed an alibi.